CARY OKORO

"I am inspired by the natural world, the lives people lead, and the beauty and trauma inherent in both."

"Viriditas" at the Kalamazoo Institute of Arts, May 29 - Sept. 27, 2026

Photo Credit: Jeremy Bronson, Kalamazoo Institute of Arts

Finding parallels between human and environmental trauma, my work seeks to
“re-wild” or reclaim what has been lost or desecrated.

"Viriditas" at BioPhilia Gallery (Grand Rapids, MI) Fall, 2025

"Viriditas" installation-in-progress at BioPhilia Gallery

Viriditas is a Latin word that translates to “greenness,” but can encompass ideas of lushness, growth and healing. Layering the silhouettes of generations of women in my family with imagery of native and medicinal plants and elements from the built environment, Viriditas examines the relationship between our well-being and that of the natural world.

Embroidery traces the outline of a thriving plant on each linen panel as threads meander down to objects gathered at a nearby demolition site along with foraged plants and seeds, drawing strands of interconnection between those we love, the landscapes we inherit and those we build.

Viriditas I (Ada)

Viriditas II (Ruth)

Viriditas III (Joan)

A limited edition of framed giclée prints is available:

Purchase prints

Artist Talk with GR Native Plant Friends!
October 1, 5-6:30pm BioPhilia Gallery, 975 Ottawa Ave NW

On October 1st, Cary will be giving an Artist Talk and will moderate a panel discussion with members of the GR Native Plant Friends group at BioPhilia Gallery. Okoro will speak about her installation Viriditas, her artistic process and why she has been referred to as an "ethnobotanical artist." There will be a free native plant seed giveaway and information about "re-wilding" your internal and external landscapes. Please join us!!

"The Memory of Water" at Keeler Gallery (Grand Rapids, MI) Spring, 2025

The Memory of Water © 2025
Acrylic on Canvas with Fabric, Clothes Pins, Enamel Bowl, Photo Transparency & Water
(Private Collection)

The title of this piece derives from the homeopathic principle that water can ‘remember’ the properties of a substance long after it has been diluted. Using family photographs and repurposed objects, I layer narratives of resilience from women in my family with imagery of hardy and drought-tolerant native plants to explore the connection between water and memory.

A small photo transparency of girls swimming floats in the basin, suggesting the question: What is ‘remembered’ beyond conscious memory? From the basins of water used by women laboring across generations to the amniotic fluid that nourishes life and yet also transmits markers for generational trauma: What do we carry from those who labored, who washed, who cried, who loved?

"Lineage" Installation Views, ArtPrize (Grand Rapids, MI) Fall, 2024

"Lineage" © 2024
Digital Collage printed on Linen with Embroidery and Foraged Native Plants
(Private Collection)

“Lineage” is an installation of digital collages printed on linen with embroidery that explores the relationship between five generations of women in my family and the interconnection between memory, identity, trauma and nature as a source of healing.

Using photographs, scrapbooks, embroidery and native plant imagery, layered portraits allow a deceased relative to occupy the same garden as her great-grandchild, exploring what gets passed down through shared knowledge and love, but also through generational trauma.

Recent Work:

"We Reach Across the Same Blue Sky" ArtPod by GRAM (Grand Rapids Art Museum) Fall, 2022

"We Reach Across the Same Blue Sky refers to the underlying connection of human beings to each other and to nature, ultimately the deepest forms of belonging."

We Reach Across the Same Blue Sky is a visual meditation on migration, culture and identity. Using images and text from my family’s rural history in Switzerland and Sweden and my husband’s rural roots in Nigeria, this work explores how the journeys of those who came before impact our sense of identity and belonging.

Working in charcoal, washes of paint and thread, portraits and landscapes from our family histories are punctuated with text, photo transparencies and deep blue and green hues, echoing the changing landscape of identity. The title, “We Reach Across the Same Blue Sky,” refers to the underlying connection of human beings to each other and to nature, ultimately the deepest forms of belonging.

Showing at the Muse GR ArtPod at the Grand Rapids Art Museum, 128 Louis St. NW